God gives

Another very fine meditation appeared in Magnificat on 19 April 2012. By Sister Aemiliana Löhr, a German Benedictine nun who died in 1972, it expresses an important insight:

"God gives. This is the founding fact of our belief; on it revelation takes its resting-place. We know about God only because he gives himself; because he gives himself to us. God does not have something; he is everything. When he gives, he can only give himself, and thereby everything. In everything in which we receive, the gifts of nature or of grace, God gives himself; and only to the extent that we recognise that do we really come into possession of what he gives us. For all his gift can be taken from us, yet we remain in possession of his gift and favour when we see God as the heart of the gifts he gives."

For more on the theology of gift see my article here, or (better yet) read the article by Antonio Lopes in the collection Being Holy in the World. Go to the Ignitum Today site for an article on Gift in relation to love and knowledge.

Pope on beauty

The little daily prayer-book and missal, Magnificat, the International English edition of which I have the honour (with my family) of editing, contains a lot more than the texts of the Mass of the day, and prayers for morning, evening, and night. As a sample of the daily Meditations, here is an extract from the text by Pope Benedict that was published yesterday. It is about the "Way of Beauty" and the importance of art.

"Perhaps it has happened to you at one time or another – before a sculpture, a painting, a few verses of poetry or a piece of music – to have experienced deep emotion, a sense of joy, to have perceived clearly, that is, that before you there stood not only matter – a piece of marble or bronze, a painted canvas, an ensemble of letters or a combination of sounds – but something far greater, something that 'speaks', something capable of touching the heart, of communicating a message, of elevating the soul. A work of art is the fruit of the creative capacity of the human person who stands in wonder before the visible reality, who seeks to discover the depths of its meaning and to communicate it through the language of forms, colours, and sounds. Art is capable of expressing, and of making visible, man’s need to go beyond what he sees; it reveals his thirst and his search for the infinite. Indeed, it is like a door opened to the infinite, opened to a beauty and a truth beyond the everyday. And a work of art can open the eyes of the mind and heart, urging us upward." 

The text has obvious echoes of Pope John Paul II's Letter to Artists, on which David Clayton's "Way of Beauty" web-site is based. David Clayton is the illustrator of several of our catechetical colouring books for children, based on traditional styles of Christian art from icons to illuminated manuscripts. In Beauty for Truth's Sake I make a case for the objectivity of beauty, in an age where many people assume it is merely in the eyes of the beholder.

Incidentally, a longer and more developed discussion of Beauty by Pope Benedict (or rather Cardinal Ratzinger) is available on our main website under "Online reading", or go directly here.

Sex and marriage

How does a parent or teacher explain to a young person why the Church is against sex outside marriage – or rather, why the Church is in favour of sex exclusively inside marriage (and marriage between a man and a woman, to boot)? I don't know, but one important argument that is often left out concerns the nature of the human person, which is quite different from what is customarily supposed.

If human beings were simply living bodies ("ensouled bodies", because a soul is an animating form) like other animals, there would be no very strong reason against promiscuity. Evolutionary and social reasons would not suffice. Psychological factors might well be against it. Not everyone is inclined, like

Connected by Touch

Fairy tales are the fashionable thing in Hollywood and on TV. Every studio seems to be reinventing the classic tales – mostly with dire results. The successful new Tim Kring TV series Touch is much more original. Like the delightful film August Rush (which is based on the idea that people are mystically connected through music), Touch tells us that the world is built on numbers. The credit sequence alone is a work of art, showing a kaleidoscope of images drawn from the natural world and human society with diagrams of symbolic geometry superimposed. The story is built around a father (played by Keifer Sutherland) and his "autistic" son Jake, who won't speak or allow anyone to touch him. But the son has a gift with numbers. Naturally, in order to heighten the excitement, he is supposed to be "the next step in human evolution", and his gift enables him to predict the future, or "see" possible futures in the patterns of numbers he sees all

Beauty in Trust

The National Trust in Britain is worthy of much praise and thanks for the wonderful work it does preserving and caretaking some of our most beautiful and historically significant buildings, gardens, and landscapes for public use and enjoyment.  Most recently, it successfully fought the Government's ill-considered development plans, which would have threatened our heritage for very little actual gain. The new development guidelines have been extensively rewritten as a result. The Trust's director general, Dame Fiona Reynolds, is preparing to move on to run Emmanuel College, Cambridge, having presided over a growth of the charity's membership from 2.7 to over 4 million members (more than all the major political parties put together). In a recent interview she spoke of the almost "spiritual" need the Trust fulfils – a need for "access to beauty, access to nature, access to history." A good motto for a national movement!

A Certain Faith

A masterpiece of modern apologetics, this book builds upon the fact that there is an intrinsic, formative principle within thought — namely, being. Those unfamiliar with the idea of analogy of being will be amazed by the concept’s depth and compass. After securing it within natural theology, Dr Pearlman goes on to thread the analogy of being through cosmology, Christology, the nature of the Church, and the moral and spiritual life. The book is designed to take the reader from a situation of doubt, then through faith and the understanding of virtue, to arrive finally at the threshold of contemplation with the saints, including Francis of Assisi, John of the Cross, and Mother Teresa.

Barry Pearlman has lived and worked in the UK, USA, and Australia, and currently lives in Wales. A Certain Faith is a remarkable achievement, both inspiring and uplifting – an accessible synthesis of traditional metaphysics and fundamental theology that offers the basis for a renewal of apologetics. Such clarity, in such depth and breadth, is exceedingly rare in our time. Nor are theology and philosophy here separated from spirituality and the interior life, as is too often the case. It should find its way into libraries and reading lists. It is easily available from Amazon UK or Amazon US.